Volume 2: "WE'RE ALL GOING TO JAIL FOR THIS, AREN'T WE?", track 7b
- 01:27 BATMAN (Neal Hefti)
- performed by The Who
- original source: EP READY, STEADY, WHO! Reaction 592001 (UK) Nov. 11, 1966
- and my source: CD RARITIES 1966-1972 Vols. 1 and 2 Polydor 847670-2 (UK) 1991
.....Like most bands appearing on the BBC's "Ready, Steady, Go!" television series, The Who recorded their music at the network's studios a few days in advance and then lip-synched to themselves on the show. That was mid-October, 1966. Their management intended to release an EP of the studio recordings to coincide with the airing but ran into legal hassles. It would take less time and mean fewer headaches to actually rerecord everything from scratch and rush release it, which is what they did. It's not surprising that some fans came to assume that the Reaction EP was taken from the show anyway, despite switching out some of the songs for others.
.....On the show they appeared to be playing "BATMAN", "BUCKET T", "I'M A BOY" and "DISGUISES". They also goofed around to Cliff Richard's song "SUMMER HOLIDAY". There are incomplete bits of the instrumental "COBWEBS AND STRANGE". The finale was intended to be a medley of their own "MY GENERATION" in a medley with Elgar's "LAND OF HOPE AND GLORY", but for some reason the Elgar was replaced with "RULE BRITTANIA". The medley was too much of a pain to reproduce and "I'M A BOY" had just been an A-side and was likely still in stores, so those two were dropped and replaced with "BARBARA ANN" (to indulge Keith Moon's surf music fixation) and yet another version of "CIRCLES", probably to undercut the sales of earlier versions being released under different names by an ex-producer they were fighting in court.
.....In 1977 The Jam used "BATMAN" to close side one of their first album IN THE CITY. Considering their retro Mod image in the midst of height-of-punk London, this was clearly a nod to The Who and not to the Batman TV show. When The Jam broke up (really so that Paul Weller could form the even more retro Style Council) in 1982, The Who released what would be their last studio album for the foreseeable future and gave the first of many 'farewell' tours. In 1983 their old label in England released a matching pair of 'rarities' LP's to cash in on the tour. They were actually the non-album singles prior to the ODDS & SODS album, which may all have lapsed out of print at the time but were circulated in large numbers when originally released. The CD I own that combines the two albums was manufactured in 1991 and then imported to this country, which means I probably bought it shortly before making this mix tape. That would explain it being on my mind and at hand. (NOTE: The title of the previous volume of this tape series, "The Pitchfork Approach", was only half joking.) A quick trip to Amazon suggests that finding a copy might get expensive. In 1995 most of the EP (minus "CIRCLES") showed up as bonus tracks on the mono mix CD of the album A QUICK ONE. On the plus side, it includes an unused outtake of the "MY GENERATION"/"LAND OF HOPE AND GLORY" medley. That CD was supposedly rereleased a few years later in stereo but with identical packaging. Caveat Emptor.
.....Did I mention something about "height-of-punk London" just now? Hold that thought until tomorrow.
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